without fear
@ryanklindsay does not beware the moors
'RKL Writing CV' 'Top 10 Lists' 'Bio' Ask me ANYTHING
Ant Lucia.
Amazing.
(via notpulpcovers)
Daredevil by Bruce Timm!
Pop.
(via in-sequence)
oeming commission piece: DareDevil after Kirby!
Aw, yeah.
(Source: oeming, via in-sequence)
I’d see comic book artists on Charlie Rose. People of note would casually recall something they’d read in a recent issue of a comic book. Popular comics would regularly be a theatre for the discussion of contemporary issues via direct and indirect methods. I’d see comics criticism in comics themselves.
I’d like to see more copyright infringement without repercussions. Smart remixes that question the validity of the ideas in the original materials, new works that masterfully criticize old tropes.
Less conservative approaches to the format of comics. Less comics dogma.
There’d be a desegregation of genre comics, superhero comics, “comix” and art comix.
I’d see more artists wielding the medium as fine art and fewer fine artists mining comics’ aesthetics and culture to prop up weak, derivative work.
The footprint of Marvel and DC Comics on the American comic book shelves would be one weekly jumbo, Manga-like book, respectively; one large book would drop weekly, collecting several stories relative to their tent-pole story arcs (X-whatever book on the first week, Avengers book the next week, etc., respectively), and the narratives would be collected and colored at the end of their runs. The rest of the shelf real estate would be a diverse curation of mostly non-superhero works.
There would be a serious attempt to reach out to people of color. I’d see Fantagraphics publishing “my boring life” works from people of color. I’d see more non-white and non-cisgender comic book editors. I’d see comics left in cafés and subway benches, rolled up in the back pockets of thirteen-year-olds.
Ronald Wimberly’s vision of the comics industry (via swrd-play)
~~~~~~~~~~~
Ron, please take me to your planet.
(via darrylayo)
For your consideration.
(via djeljosevic)
This awesome Hawkeye fan made some of Clint’s trick arrows, as seen in Matt Fraction & David Aja’s Hawkeye series. So cool!
via mc-ballin:
Hawkeye’s Arrows
Here’s the result of my project! Because boomerangs.
(Extended) Staircases to Nowhere: Making Stanley Kubrick’s ‘The Shining’
In this nearly hour-long film, nine crew members and associates recount stories of their time working with Stanley Kubrick during the production of The Shining.
This oral history was produced as part of the Elstree Project.
@ActionLabDanger Fight or Flight. #BombScare or #Bullshit Either way it is BS to those in the “Rad” Ghost Town issue #2. in Previews now order code MAY130764
Your support is greatly appreciated. I cannot wait to share this book.
Man Finds ‘Action Comics’ #1 (1938) in Wall of House, Features First Appearance of Superman
I had heard that the original estimated price (approx 2 mil) went down by $75k, because this guy’s In-Laws snatched the comic out of his hands (and causing it to rip) in their eagerness to see it.
.
According to a report from Star Tribune, here is how David and his family feel about the tear:
“I am a humble working guy, so I didn’t get too excited when I found it with old newspapers stuffed in the walls,” said Gonzalez, a father of four. “Money won’t buy you happiness.”
His in-laws didn’t have the same reaction.
“They got all excited and tried to take it,” he said. “I understand it’s something cool, but told them: ‘You don’t have to act so rude. I brought you in to show you, don’t grab it.’?”
WHAT kind of fucking adult DOES that?
(via comicbookcovers)
Blade Runner video game, Commodore 64 - 1985
“A video game interpretation of the film score by Vangelis”
That might be the first and only time you’ll see that sentence written in English or any other language.
This may be the most cyberpunk thing there is.
From the invaluable 1187 Hunterwasser Tumblr.
(via bigredrobot)
